DIGITAL CAMERA

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Samsung NX2000 20.3MP Digital Camera (Certified Refurbished) - with 20-50mm Lens








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CUSTOMER REVIEW

review

I've got the NX300

(I also posted this under the NX300 link!)



- Excellent image quality thanks to the APS-C sensor.

- 20-50mm lens is very compact and makes is easy to always carry.

- Excellent controls - you can use the touch screen or the buttons for most settings..

- Compact design and good build quality.

- Beautiful AMOLED screen.

- Crazy Fast, & Reliable Autofocus.

- High frame rate for action shooting

- FHD video quality is way better than anything I was able to get from my FHD camcorder.

- Wi-Fi works great connecting with my Samsung G4 phone!

- View Screen is like my phone and not great in bright bright sunlight.
Samsung NX2000 20.3MP Digital Camera (Certified Refurbished) - with 20-50mm Lens

Samsung NX300 20.3MP Digital Camera (Certified Refurbished) - with 20-50mm Lens








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CUSTOMER REVIEW

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Great Camera.. Killer price refurbished!



- Excellent image quality thanks to the APS-C sensor.

- 20-50mm lens is very compact and makes is easy to always carry.

- Excellent controls - you can use the touch screen or the buttons for most settings..

- Compact design and good build quality.

- Beautiful AMOLED screen.

- Crazy Fast, & Reliable Autofocus.

- High frame rate for action shooting

- FHD video recoredin

- Wi-Fi works great connecting with my Samsung G4 phone!

- View Screen is like my phone and not great in bright bright sunlight.
Samsung NX300 20.3MP Digital Camera (Certified Refurbished) - with 20-50mm Lens

Samsung NX1000 20.3MP Digital Camera (Certified Refurbished) - with 20-50mm Lens








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CUSTOMER REVIEW

review

I love my NX1000 I didn't get an awesome deal like today's price but I love everything about it. The WiFi is great the remote viewfinder is awesome. Love Love Love!
Samsung NX1000 20.3MP Digital Camera (Certified Refurbished) - with 20-50mm Lens

Nikon D5300 24.2 MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6G ED VR II AF-S DX NIKKOR Zoom Lens (Black)








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CUSTOMER REVIEW

review

I got this camera as an upgrade to my beloved D5100 so the bar was pretty high and so this review is often D5100 vs. D5300. I'll be frank. The D5300 outclasses the D5100 so substantially that it has utterly obsoleted the D5100. Ignore those who say that the D5300 merely provides an opportunity to pick up a D5200 or D5100 for a bargain price. No. The D5300 is now the ONLY camera in the Nikon D5xxx line. It has changed the game. Don't bother counting pennies, this camera is underpriced at full price. The fact that I am sincerely comparing images from this $800 camera body to my D800E's images truly says it all.



Please allow me to just get into the Pros and Cons:



PROS:



1) PHENOMENAL IMAGE QUALITY! AT LOW ISO THE D5300'S IMAGES ARE ON PAR WITH THE BEST CAMERAS IN THE WORLD AND THAT IS NO EXAGGERATION WHATSOEVER. I can't believe there is still a debate going on about the efficacy of Anti-Aliasing filter removal. I'm sorry, but the difference is so noticeable there is no debate. And moire was a myth even on the D800E, which I do also own. I guarantee you that you will find more moire in a D5100's or D7000's images than you will on the D5300. Color and saturation from the D5300 are exceptionally good versus ANY camera at any price point. Now, I will still take the D800E's images over the D5300's but it is not at all night & day. They are actually surprisingly close at low ISO.



EDIT 2013-12-09: Photographing cats a lot I am catching a little false color on shiny fur. Nothing of concern to me though.



2) Focus point spread (area of image with AF sensor coverage) is MUCH greater than in FX ("full-frame" sensor size) cameras. The D5300's AF point coverage extends left-right top-bottom much farther than FX cameras. I would estimate the D5300 covers probably double the area that FX cameras do and this is an ENORMOUS advantage. I always leave my D800E's focus point glued to Center because the AF coverage is only in the center area anyway so why bother with the other 50 AF points when they just don't cover anything? I actually do use my focus points on my D5300 because they cover the frame pretty well. I'd still like to see even more coverage, but vs. the FX bodies, APS-C cameras have a tremendous advantage.



3) Minimum shutter speed in Auto ISO now has AUTO setting that adjusts based on focal length! This is SO much better than a fixed shutter speed regardless of lens length.



4) Hard to quantify but the HDR images look much nicer than the D5100's and the Extra High setting is intense and beyond the D5100's abilities. I have not been able to verify this but it *appears* as though there is now image alignment for the 2 photos used for the HDR image as my handheld HDR shots nearly never look like 2 images whereas they often did on my D5100 at full or nearly full magnification. HUGE improvement!



5) Great-for-DX and pretty-good-versus-FX ISO performance. I'll put this to bed right now; the D800E smokes the D5300 for high ISO performance. Sorry, this is a different league. However, the D5300 substantially outperforms the D5100 at ISO 1600+. The improvement in the D5300 over the D5100 is readily noticeable.



6) Much more intuitive i Menu. The D5100's i Menu being J-shaped was ridiculous and totally awkward. I never got used to it after thousands of photos. The D5300's standardized 2-lines-across-the-bottom Nikon style is a drastic improvement.



7) GPS! I don't know what Nikon was thinking with that clunky expensive GP-1A. Did anyone ever buy one? The D5300's internal GPS works great and hooks up quickly and I'm big on geotagging so I am super stoked to have this on a REAL camera!



EDIT 2013-12-09: I spent a day in the country (wide open clear sky) with this camera outside of my normal metro town area and despite using A-GPS data, it took somewhere between 30-60 minutes to get GPS lock. Surprised, disappointed. But that was the only time I have had trouble with hookup.



8) Nikon's had truly exceptional built-in flash performance since at least the D90. The D5300 does not disappoint and bests or matches its predecessors at any price point. This could be a result of image processing more than flash performance but whatever it is, using flash is a joy, not something to dread.



9) The red body paint color is super-gorgeous! It's like a candy apple red Corvette color and it is way sexy.



10) The new bigger, higher-pixel screen is REALLY nice. It is not insignificant like many reviewers dismiss it as. I like it a LOT. :)



11) EN-EL14a battery with 19.4% more capacity is a nice treat and helpful when running GPS and/or the silly WiFi. I have not spent a full day shooting hundreds of photos with the D5300 yet but I have shot perhaps 100 shots in a day with GPS on and flash here and there and a lot of reviewing and in-camera editing and not gotten below 2/3 battery level in a day.



EDIT 2013-12-09: GPS was on from about 8:45am to 5:30pm, WiFi was off all day, I shot 362 photos (almost all were 14-bit RAW+Large Basic JPEG so roughly only about 170-190 shutter clicks) and probably 15 of those photos had flash, 2 minutes of video, edited 6 photos and had a couple of review sessions during the day. Battery level fell to 1/3 remaining. Not bad but could be better. If you're a heavy shooter and will use GPS and/or pop-up flash, carry a spare battery.



12) Here's a gem for the old-school film guys like me. ;) Or a little "secret treat" for digital-era photographers with a true creative streak. In Manual exposure mode, the "T," or "Time" setting has returned! Want to take a 5-minute or 5-hour exposure but you left your plug-in intervalometer/timer at home? Lol, as if you even have one... No problem. Turn your shutter speed dial all the way past 30-seconds, past Bulb and click on into good ol' Time at the end of the dial. Press the shutter button to open shutter, let your wristwatch or phone tell you when exposure time is up and then press shutter button again to close the shutter. Seriously?! Yes, seriously. How cool is that?! I miss this so much and guess what? Even my D800E does not have T and the D5100 does not either. According to the Nikon info page for the D5200 (Yes, D5200. Not a typo), T is there but you need the ML-L3 remote to use it.



CONS:



1) EDIT 2013-12-09: I have found that focus points other than THE Center focus point are somewhat frequently inaccurate. Focus points at or near the left and right edges are rarely accurate and almost never dead-on. If you use ONLY the Center focus point, focus accuracy is quite good and consistent. As Center AF point AF-S is almost always how I shoot, this is not a deal-breaker for me but it is certainly a handicap. If you use multi-point AF tracking or regularly venture away from Center AF point, you had better experiment with different AF points at a local camera store before buying one from any store, Amazon included. I am beginning to think my camera may be defective and will likely send it to Nikon for repair or exchange it with Amazon for a new one. Honestly, I expect this to be a performance trade-off that Nikon will not remedy. Though $800 is not cheap, this caliber of image quality for $800 is going to come with trade-offs and I bet being forced to use Center AF point is one of those trade-offs.



2) EDIT 2013-12-09: I had a chance this past weekend to use Live View in some beautifully sunlit countryside. Sorry, even with truly ideal lighting Live View is horribly slow and constantly hunting. Don't use it for anything other than manual focus confirmation with screen zoomed for precise focusing. And focus VERY slowly as screen update time has substantial lag. I'm not really concerned about video, but this camera cannot focus worth a darn for video. It really is that bad, sorry.



3) When reviewing a photo on my D5100 and even the D5200, I could just press the OK button to get into Retouch Menu and then get into RAW processing of that image in another click of OK. Boom, 2 presses of OK and I am RAW processing the image I'm looking at. Well, not anymore. Now I have to press the "i" button to get into Rating/Retouch/Send Menu and then click OK to get to Retouch Menu and then another click of OK to get to RAW processing. Hardly a nightmare but takes an extra button press and, more importantly, is ergonomically awkward and more prone to mistakes.



4) Noisy Multi-Controller. I like having solid clicks, but man, clicking Up, Down, Left or Right on this Multi-Controller is literally enough to wake someone up. My gf grumbles at me for reviewing/RAW processing in bed because of that. It's also not so great in public areas as it intrudes on the conversations of neighboring tables, etc. It's really an irritating higher pitch that grabs attention. I know this complaint sounds whiny, but it truly is an intrusive noise problem.



5) WiFi is rubbish. You can't upload full-resolution images to your smart device via WiFi. And I don't believe (but I could be wrong about this) that you can WiFi upload at all to a PC. I wanted to have instant constant file backup via WiFi. Nope.



6) Slow RAW process Menu navigation. Perhaps it's the sheer file size but things like scrolling Picture Control modes in RAW processing is very slow relative to the D5100.



7) Slow photo review after taking a picture(s). Takes too long for the D5300 to gulp down one or a few RAW+Large Basic JPEG shots (my standard resolution).



8) After assigning HDR function to the BKT button (D5100)/Fn button (D5300), activating HDR now requires holding the Fn button and turning the dial until you get the setting you want before letting the Fn button go. On the D5100 you set your HDR preference one time in the Menu and then activation via BKT button only took a single press. Now it's a process. And my favorite setting (High) takes the most clicks (3 to the left or 3 to the right) to get to. The Auto HDR mode should simply be removed so we just scroll Low, Normal, High, Extra High and should be permanently Menu-set to facilitate 1-press activation a la D5100.



9) To get autofocusing you MUST use an AF-S or AF-I lens. D5300 body has no focus motor for AF or AF-D lenses. Metering requires a CPU lens.



CONCLUSION:



The D5300 is not a camera for sports, when rushed or in demanding conditions and you are gambling when you change away from Center AF point. Many consumer cameras like to claim performance in this fast-action realm, but no. If it's not pro gear it will suck at sports and tracking a subject. Always has been and likely always will be the case. However, for general photography, landscape, portraiture/still life, macro, time-lapse, etc. the D5300 creates stunningly sharp and colorful images able to be painlessly enlarged to enormous proportions. I wouldn't hesitate to print 3-foot x 2-foot (that is 36x the size of a 4-inch x 6-inch) prints. And that would be essentially pixelation-free. 6-foot x 4-foot would still look fantastic.
Nikon D5300 24.2 MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6G ED VR II AF-S DX NIKKOR Zoom Lens (Black)

Sony Alpha SLT-A37K 16.1 MP Exmor APS HD CMOS Sensor DSLR with Translucent Mirror Technology and 18-55mm Lens (Black)








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CUSTOMER REVIEW

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Five years ago I sold my Sony DCS-F717 which was a great camera for an all in one and decided to get a DSLR. I bought the A100 because of the built in image stabilization and the ability to use Minolta lenses. Five years ago it was easy to find Minolta lenses for very low prices as no one was sure Sony would put such a great effort into making an entire line of DSLR's. I started with a 50 mm f1.7. Then I found a 24-85 mm f3.5/4.5 which has become my favorite lens because it's very sharp, relatively light and offers good range. Then I found the 100 mm f2.8 Macro which is a superb lens and was top rated (same rating as the Leica) by Colorfoto (a German magazine) which ran a test on various macro lenses.



All of these lenses only cost me a few hundred dollars so buying into the Minolta/Sony A-Mount system is a real bargain compared to Canon/Nikon lenses. I also have the Sony 75-300 mm f4.5/5.6 which is a copy of the Minolta lens. Over the course of the last five years I've discovered that the A100 is too large and heavy to drag around for casual shooting and it's low light performance was limited. Also it doesn't shoot video so I used a Sanyo Xacti HD-1010 as my video camera. I had to decide which was more important. Video with poor quality stills on the Sanyo or high quality stills but no video on the Sony.



Recently I started investigating the options. After much research I was all set to buy the new Sony NEX F3. Then I went to look at it and immediately I struggled to read the tiny font and icons. Just about everyone will eventually suffer from Presbyopia which a difficulty to focus on close up objects. This can be easily corrected with reading glasses but I don't want to carry around a set of glasses to take photos. Moreover it means constantly looking up to see distant objects in focus. That's when I decided I still wanted a camera with a viewfinder. But I was still attracted to the size of the Nex which I could use if I bought the optional viewfinder. When shooting videos I loved the accessory microphone input on the Sanyo. Unfortunately the Nex cameras require you to buy one specific Sony microphone. Also NEX cameras use a new E mount lens which means you need an adapter to use A mount lenses. So by the time you buy the viewfinder, the microphone and the mount adapter you've spent twice the price of the camera. Way more than was in my budget. My goal was to sell the A100 and the Sanyo and use the proceeds to buy a new camera.



Enter the Sony A37 with Single lens Translucent technology.



This is really a huge advance over using a camera with a flip up mirror which was invented in 1949. For the first time Sony has also included all of the features of the higher end cameras in their entry level A37. The A37 is a NEX-F3 in an Alpha SLT format.



The size of the A37 is perfect for me. The grip on the A37 has been improved with a deeper groove for your fingers. I tried out the A57. It's much bigger and heavier than the A37. I have to grip really hard to hold it one handed (just like I did with the A100.) The A37 is much lighter and smaller which means that it fits perfectly in a small camera bag together with a couple of spare lenses. The camera and the 18-55 mm lens weighs just a pound and a half.



I mostly use the EVF (which includes diopter correction) but when I need the LCD I have no issues at all with it. Of course, I don't review photos on it. No camera LCD is good enough to reliably do that. The tilt mechanism makes it easy to compose shots that require you to hold the camera above or below you. If you don't use the EVF as your primary composing tool then I would suggest you look at the NEX F3 as it's an otherwise great camera that just lacks the things I want such a built in EVF and support for A mount lenses without an adapter.



For $600 my new A37 does everything I want it to do. Great images and videos are just as good as more expensive cameras. I only shoot mp4 videos so the lack of 1080p AVCHD won't be missed. Standard h264 mp4 video is so much easier to edit than AVCHD.



The A37 has the 3rd generation of the Bionz processor which is also used in all of the current generation of SLT and NEX cameras including the flagship model the A77.

This new processor allows for better low light shot with an ISO range from 100 to 16,000.



In addition the new processor makes possible continuous 15 point phase detection auto focus, 5.5 fps shooting at full resolution and full HD video recording.



Together with a 16mp sensor and a good lens such as the 18-55 you have everything you need to take great photos. Features such as clear image zoom that can digitally extend the range of any lens and a viewfinder with 100% coverage are wonderful.

Anyone can operate this camera which now has two auto settings; intelligent auto and superior auto which makes it possible for even a beginner to take great photos.

Let me know if you have questions and thanks for watching.



I'm not a beginner. I've been a photographer for 4 decades and this is the best camera I've ever owned. The A37 is a major upgrade from my previous camera both in image quality and in handling.



The 3 things to consider are the processor, the image sensor and the lens. I own 3 Minolta lenses and 2 Sony lenses. They are all good to excellent and that includes the 18-55 'kit' lens. With a new 3rd generation Bionz processor, a 16mp sensor and the 18-55 lens you will have everything you need to take excellent photos.



The specs are awesome because this is one awesome camera. Sure Sony has to offer some 'step up' features in other models but they are really nothing essential.

You will also have spent less which you can use to buy accessories such as an extra battery, a fast SDHC card and some great used Minolta lenses.

These reviews are helpful; [...] Rated Essential.

[...]First place.

[...] 'I know it seems like I'm "Mr. Sony is perfect" but honestly there is very little not to like about this camera at its price point. It is so exciting to watch Sony announce cameras that trounce the competition.'

[...] Editors Choice. 'The camera's small size works in its favour as well by making the camera easy to pick up and take with you.'
Sony Alpha SLT-A37K 16.1 MP Exmor APS HD CMOS Sensor DSLR with Translucent Mirror Technology and 18-55mm Lens (Black)

Canon EOS Rebel SL1 Digital SLR with 18-55mm STM Lens








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CUSTOMER REVIEW

review

Im a casual photographer, who travels a lot and wanted a SLR to take with me. I also want to enhance my photography as a hobby, although I don't plan on ever being professional. I've owned several compact digital prior to this camera.



Size:

Even though I knew what I was ordering, I couldn't get over the size. It's so small for an SLR and so lightweight. I've checked multiple times because I didn't think it was loaded in my bag, it felt empty. No kidding, it's that light weight. But still has all the buttons you need, well placed and easy to operate. It also feels tough and durable, so don't be dissuaded by the light weight or small size. I'm not sure about the concern some voiced about it being "too small" to hold. It's very comfortable. If you are going to shoot for 2 hours straight and/or have shot with a larger camera for 5 years, then maybe this would take some getting used to. But it's very easy to manage, comfortable to hold and feels solid in my hand.



Performance:

I've been experimenting for a couple months now with various settings, different creative shots and I love the camera. Any failures are certainly mine as an amateur. It's easy to shoot, fast enough (I'm not shooting for the NHL) and takes accurate, colorful pictures that are only limited by my creativity. I've shot macro, landscape, architecture, pets and portraits. I love it. It has a deep, feature rich set of custom options, menus and settings. I'm almost addicted to loading my amazing photos into a post photo software (name omitted) and playing with them to see how incredible they can get. That being said, they look incredible (when composed properly) straight from the RAW image. Also remember, this is a canon, so you can use virtually any lens ever created by them.



Video:

The improved AF Focus and STM lens is evident when shooting video. Video is amazingly clear, the AF does a good job keeping up with most subjects (again not shooting NHL or nocturnal animal scenery). The touchscreen, nearly silent lens combo is a huge improvement over prior versions. All but the most demanding professionals will find it does a remarkable job.



Cons:

Not many, seriously.

No built in stereo mic..(minor issue use an external)

No built in wifi (use an eye fi card)



I kept this simple as there are some more technical reviews out there. I thought simple usage from a consumer standpoint would be most helpful. My advice, be very careful hanging your hat on some of the Amazon reviews that are overly technical. Some of the reviewers don't know as much as they pretend and quote erroneous facts, like the fact that this camera uses "contrast phase detect" for it's auto focus. Wrong, older canon's did, not this one. If you really need the technical details read a review by dpmag, dppreview, camera labs etc. They will be spot on accurate and not a pseudo professional opinion. Happy hunting...



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Canon EOS Rebel SL1 Digital SLR with 18-55mm STM Lens

Nikon D7100 24.1 MP DX-Format CMOS Digital SLR (Body Only)








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CUSTOMER REVIEW

review

While I'm hoping Nikon will release a D400, I couldn't resist trying out the new D7100. As a working pro who uses both FX and DX format cameras, my first impressions of the D7100 are very positive.



My simple summary is that this camera is a bargain and that those already inclined to own the best the DX camera Nikon sells should get one.



Having worked for years with the D300 and the D7000 bodies, my perspective on this one is influenced by what I think is good about those two popular cameras. I hoped that the D7100 would really improve in the areas of autofocus, shadow noise, and overall resolution/acuity. This camera has not disappointed me, and has even a few minor improvements I wasn't expecting.



Of first importance, shooters of the D7000 will appreciate the big improvements in AF (you probably know how sketchy that camera is to focus, especially compared to the 51-point standard set by most older/current pro bodies). It's fast, accurate, and doesn't get fooled into moving if you recompose. On single focus mode, it simply acquires and holds where you want. And the tracking AF is on par with Nikon's pro standard. This is huge for me, since I love the quality of images the D7000 gives but hate the unreliability of its AF. Acquiring focus in low light seems a bit snappier and more accurate than even the D300.



The resolving power of this sensor is unlike any DX camera before it. Because the D7100 doesn't have an anti-aliasing/low-pass filter on its 24 megapixel sensor, I knew it would be able to show a perceptible increase in resolving detail over the older D7000, and again I am glad to report it does - IF you use good glass, stopped down a bit, and process from the RAW files. My test shots captured with the Tokina 11-16 and Nikon 70-200 have blown me away. The acuity when zoomed in is night/day compared to the D7000. However, if you use mediocre glass then the only differences you'll notice are larger files and slightly better dynamic range.



In DX images, shadow noise has generally appeared too stippled even at lower ISO values, rendering a texture that the FX sensors don't have at the same ISO's. The D7100 has definitely improved this. The texture gradient is more uniform and it reminds me of the D600 in this way. Although I haven't done tests above ISO 1600, the shadow textures are more uniform and pleasant (natural?) on skin than the previous DX cameras.



Shooters familiar with Nikon's pro camera ergonomics will appreciate that the D7100 has added the quick magnification/zoom feature to the `OK' button on the rear thumbpad. It's great for snappy, quick inspections at defined zoom ratios to check for focus accuracy. This feature is nonexistent on the D7000 and the D600. I find it very handy and preferable to the +/- buttons.



Speaking of the +/- buttons to the left of the LCD, I have no idea why Nikon reversed their positions on this camera. It's a small thing but still annoying.



I'm still getting used to the new viewfinder display, so the jury is out.



The two-shot HDR feature isn't what it should be since it doesn't align the images. I'd use the bracketing feature on a tripod and be done with it.



I like that there's finally a lock button in the center of the program mode dial to avoid accidental switching, which happens too often on the D7000.



The rear LDC screen is slightly larger and also a bit crisper to my eyes.



The overall fit/finish is solid and secure. I have big hands so I only wish it was the same form factor as the D800 (hey Nikon, give us a D400 already), but at this price I'm not complaining.



I wish Nikon could squeeze out better battery performance from their cameras, frankly, and the D7100 hasn't improved upon what has become normal for the past couple years.



Sorry, but I don't mess with video so I cannot speak to this.



As a still image camera (in the DX format) the D7100 has really set a new standard. Even though I'd buy a D400 if it came out tomorrow, there's nothing stopping me from enjoying the D7100 today as the best you can get. I feel that the price is low for what it is and can create. Highly recommended...
Nikon D7100 24.1 MP DX-Format CMOS Digital SLR (Body Only)

Canon EOS 70D Digital SLR Camera (Body Only)








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CUSTOMER REVIEW

review

This is going to be short, since I've not had the chance to do a whole lot of shooting as yet. Consider it a "just out of the box" impression. I already have a Canon 5D Mk III, and a number of L series lenses. I wanted a "backup camera" for video shooting, and I was intrigued by the new auto-focus system offered on the 70D.



So far, I'm extremely pleased with this camera. The 18-35 mm kit lens gives a lot of range, and I tested the camera out with my other lenses. The L series lenses work very well, and auto-focusing is fast, smooth, and doesn't search around much even in very low light. The camera is not as heavy as the 5D Mk III, but feels solid enough, and not all that different in the hands. Even with the 70-300mm f4-5.6L IS USM zoom - my heaviest lens at the moment - the camera feels surprisingly balanced.



The crop sensor obviously changes the effect of the lenses, but having a full sensor and a crop sensor both, it's like having 2 sets of lenses. My 70-300mm zoom now has an effective reach up to 480 mm (on the Canon 70D) due to the crop factor of 1.6. To me, this is kind of a bonus, though not in itself a reason to buy the camera. Smaller sized sensors result in an apparent increase in focal length, and a greater depth of field, but this is a generalization and each lens has its own properties that affect the image as well. Read the reviews of individual lenses when considering how each one reacts to different types of camera bodies.



The main thing to take note of is that while the Canon 70D will accept all the EF and EF-L lenses, it is designed to use the EF-S series lenses as well. In fact, the EF-S series lenses are custom tailored specifically for the Canon 70D and (as far as I know) other APS-C crop sensor cameras made by Canon. These lenses - and the kit lens is one of them - will not work on a full frame camera like the Canon 5D mkIII; the rear element extends back into the camera body in a way that makes it impossible to attach lenses of this series to full frame sensor cameras. Even if they could be attached, I suspect the captured image might suffer from serious vignetting and other problems.



For a thorough understanding of how the APS-C, full frame and other types of sensors interact with various lenses, I highly recommend doing some research on the web. There's a lot of good information out there, and this is a fairly involved subject that I don't even want to attempt to dive into here :)



One thing I couldn't figure out before having the camera in my possession deserves a mention. This is my first experience with a fold-out LCD screen on a DSLR, and I had no idea how the display would deal with flipping around 180 degrees. Would it be upside down? This was the first thing I tried, and the screen auto-flips when it is rotated. Maybe everyone else already knows this - but I didn't! Anyway, the fold-out display is a great feature, and it also folds face-in to protect the display when not in use.



The ability to touch various points on the LCD display while in Live View or shooting video, and shift focus while shooting is - to me at least - worth the price of admission. If Canon eventually updates the 7D and/or the 5D Mk III, this functionality would be most welcome!



Purely as a "gut reaction" - I really like the 70D immensely. And it seems a very good value for the price. This may actually become my preferred "walk-around camera, though time will tell.



EDIT - 10/22/2013: I've spent a lot more time with the camera now, so I can add to my earlier comments.



While I purchased the 70D mainly for shooting video, I recently used it to shoot bracketed exposures for HDR (high dynamic range) panoramas. A friend of mine had a nodal camera head (The "Ninja" head) which allowed for precise rotation of the camera to cover a full 360 degree field-of-view. The Canon 70D allows for up to 7 bracketed exposures via the AEB controls. The plates were shot in the RAW (CR2) format, using the kit lens, and stitched together using PTGui software.



After some initial trial runs, where we ironed out the kinks in the whole process, the results were exceptional. For those who may be wondering "why do you want a 32 bit HDR 360 panorama at 10k-16k resolution?" it is used to create realistic lighting and reflections in a 3D/CG software (i.e. Modo or Maya, for example). The 3D scene can be lit entirely by the 360 panoramic image, producing a very convincing result.



At any rate, the Canon 70D delivered terrific results doing something I didn't even foresee when I bought the camera. I will try and upload some of the tests (where the photographic panorama serves as both background and light-source) if I can figure out how to do so on the Amazon site.



EDIT - 11/9/2013: A note to anyone who intends to shoot green screen (for color keyed composites) or do precise color grading in post production: The video output from the 70D is not YCbCr 4:2:2 compression. This is not apparent to the naked eye when viewing the video footage, but it becomes an issue when attempting to work with the footage in a post environment. The firmware update for the Canon 5D addressed this problem by enabling 4:2:2 color output via the HDMI port to an external recording device (I use the Atomos Ninja 2 for this) but currently uncompressed "clean" HDMI is not enabled on the Canon 70D. I have my fingers crossed this will be dealt with in an update to the firmware.



This is not a huge issue unless you intend to do extensive manipulation of your video footage in post production, but it is something to consider with this camera and DSLRs in general. There are workarounds, of course, but that can entail a fair amount of time & effort, particularly when extracting color key mattes (masks) involving fine edge detail or areas of transparency.



That being said, the footage is nevertheless beautiful. And I suspect this technical point should not be an issue for most people considering buying the Canon 70D. The CR2 (camera raw) files are not at all affected by this, it's a factor limited to the HD video.
Canon EOS 70D Digital SLR Camera (Body Only)